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VENEZIA- GLI INCONTRI DELLA BIENNALE:
- Welcome to Biennale di Venezia
Piccolo Incontro with Nicolaus Schafhausen
Friday June 10, 2005, 17–19 h
Circolo Ricreativo Culturale “ 3 Augusto”, Rifondazione Comunista, Castello,
Corte Nova
- Perspectives for Cologne
Lecture by Nicolaus Schafhausen, founding director of EUROPEAN KUNSTHALLE
KOELN
Wednesday June 29, 2005, 19.30 h,
Cinema auditorium in Museum Ludwig Cologne
26 maggio 2005
VENICE - The EUROPEAN KUNSTHALLE
KOELN is presently one of the most exceptional projects in the context of
contemporary art. With a successful benefit auction in 2004, the
constitution of a European inaugural council, and the vocation of Nicolaus
Schafhausen as founding director, the EUROPEAN KUNSTHALLE has already
anchored itself in the cultural awareness at home and abroad. The Cologne
association “Das Loch” is the initiator of the project, in which
personalities of the art and cultural scene have gathered along the
phenonema of cultural-political conditions concerning the demolition of the
former Kunsthalle in Cologne in order to start a contemporary and
future-oriented discourse about urban space and public culture.
The privately initiated proclamation of the EUROPEAN KUNSTHALLE KOELN is
rule-breaking in communal politics. It instantly formulates and explores
different ways of thinking and acting in a political context, and also of
participation and societal responsibility. The resulting initial situation
of the founding director is as paradox as it is unique; neither politically
authorised nor bound to a concrete location, is he offered the rare
opportunity of invention. Nicolaus Schafhausen holds Carte Blanche. His
central job will be to develop and elaborate future oriented and lasting
perspectives and structures for an art hall as a platform for contemporary
art. The deeply changed conditions of political acting, economical and urban
structures, and also cultural production are to be perceived as well as the
opportunities of an extended European context for the constitution, the
linking-up and the covering of the Kunsthalle are to be discovered and
exploited.
The name of the model experiment, EUROPEAN KUNSTHALLE KOELN is programmatic
to the extend that it postulates Europe itself to be an open project of
participation and design. By negotiating its practices of self-constitution,
production and conveyance of a communal-societal institution in a European
context, the EUROPEAN KUNSTHALLE acts as a co-producer in the project of
Europe. “It will be about the fact that such an important re-establishment
is not to be developed from existing deficits, but from a broad vision, in
which the potentials of culture in a societal future are manifested. Not the
location-specific adaption of the model “Kunsthalle” is to be in the centre
of consideration, but the development of a model which exceeds the core of
art and therewith opens perspectives for an urban society.” (Schafhausen)
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